She is technical competent
She has strong wristed and finger tip-magic
Miriam Ramos has an admirable technical facility, a big tone and a certain contrapuntal clarity.
Tim Page – New York Times
Une magnifique artiste en pleine maturité dont la sensibilité et la palette sonore sont au service d´une véritable pensée musicale.
Her recital in the Grêmio, going beyond technical perfection and dazzling sonorous brilliance, displayed her interpretive powers in the entire program dedicated to Villa Lobos, Schumann and Tchaikovsky.... The Villa Lobos was exemplary.... Miriam Ramos gave us a very markedly romantic Schumann, with admirable faithfulness to the score... Tchaikovsky is a scintillating heap of technical difficulties in which Miriam Ramos successfully navigated the shoals of this tempestuous work with unsurmountable virtuosity.
José Blanc de Portugal – Diário de Lisboa
The revelation of a brazilian pianist... supremely vast technique; musicality of an exceptionally high level ; ...stylistic versitility... Always placing her technical attributes at the service of the musical thought, the artist presented us with the best of all the performances of Brahms´Great Sonata in Fá minor, op 5...São Paulo cannot do without the presence of this extraordinary pianist.
Diário Popular – São Paulo
Miriam Ramos is one of the most important pianists on our current artistic scene.
José da Veiga Oliveira – São Paulo
Rio de Janeiro
Miriam Ramos played the Prokofieff Concert nº 3 with great élan and rhythmic vitality. Prokofieff must be a composer with whom the pianist identifies quite closely, as shown by the appropriateness with which she outlined the most expressive thematic contours and the fluency she revealed in the complex changes of tempo and character.
Ronaldo Miranda – Jornal do Brasil
Technically Miriam has already attained that point of mastery at which the difficulties disappear and there only remains the means, the vehicle transmitting the expressive content.
Carlos Dantas – Tribuna da Imprensa
Miriam Ramos respects her instrument. She studied in Europe with Dominique Merlet from whom she seems to have inherited her crystalline diction. In her recital at IBAM she displayed vast technical resources... she frequently hits the mark on the interpretation and sonority plane. She reveals an unusual seriousness of someone who still believes in the piano´s force. The grateful piano repays her fully.
Luiz Paulo Horta – Jornal do Brasil
Miriam Ramos played the 4 Chopin´Scherzos surpassing her own performances in past seasons, when she played the 4 Ballades and on another occasion the 12 Études by the same composer. She played with great liberty, always taking chances, however with totally respectable technical bases.
Antonio Hernandez – O Globo
Miriam, a sanguine temperment and a superb technique
Mauro Trindade – Veja Rio.